miles whittaker has been an integral part of the modern love label since its inception in 2002 - as one half of both pendle coven and demdike stare, as well as his own productions under the mlz and millie monikers. after almost 15 years writing music, this is the first release miles is putting out under his own name and marks a turning point of sorts in his production style, or rather, in its sequencing. the facets ep brings together different ends of his production style, unifying elements of the house and techno he s most commonly released as mlz together with the more broken production signatures usually reserved for millie and the darkened tribalism of demdike stare. flawed opens the set with a linn loop from the archives, stretched and slowed down with an intoxicated aesthetic that s somewhere between house and dub, before lustre re-configures source material originally keyed in by labelmate andy stott with a nice line in squashed percussion. primer on the flip extends from a demdike stare outtake and veers off into an analogue drum machine workout, before on the fly ends the set with a recording made straight to mixing desk from an array of mis-wired and malfunctioning drum boxes, contact microphones and samplers, over at his studio the mill earlier this year.

for cadenzas latest output, the imprint serve up something a little different from usual with a versus ep from two astonishingly contrasting yet equally prominent artists within electronic music. no remixes or reinterpretations are to be seen but instead, a meeting of minds between mirko loko and stacey pullen with deux elements. titled in fitting reflection of the combination of swiss born mirko loko and detroit innovator stacey pullen, this two track cut is as its name projects in all musical and conceptual aspects. whilst mirko loko is by no means new to cadenza after releasing his highly praised seventynine album on the label in 2009, stacey pullen is a fresh cadenza artist that the label couldnt be more excited to have aboard…this is >deux elements< the eps first piece is >formulaic mode<, a twisted combination of chaotic clicks merged with underlying melodies and a serene ambience of calm.

***vinyl only*** dreadnought is the collaborative project between untold (hemlock / hessle audio) and samuel chase (samuel and the dragon). the duos debut release is the vinyl only >caroline ep<

ok we can do a long text here... but lets not do that.... fantastic track by recast (aka fluxion)! a blissed-out track that is lush and jazzy! the experience of years of precision crafting dubby tech soundscapes is brought to these tracks, which are grooving house vibes executed in the melodic but quirky manner of isolee or luomo. lorca music is on remix duty here and did a great job with a clattering, skittering groove that is somewhere between 2-step and brokenbeat, the result is heavy and provides a nice alternative to the two recast versions. this is pure techno as we like it... not the banging big room techno, but techno we know from pioneers such as derrick may, carl craig, john beltran, stefan robber and the likes. no shit... this is just one of the most beautiful records we ve heard in a while.

kapitel 2, and once everything is new! the collaboration of talented young producers and skilled heroes of the scene provides a colorful picture of the current sound development of the label in 2011. between tempo throttled, acid infected dancefloorkillers of l kubic and old school groove monsters of tokra thaan in a remix of james flavour up to grinding minimal beats with hypnotic-flashing sounds of trockensaft, to chameleon tracks from swen weber, which welcomes you with a dancehall impregnated beat in a 4/4 beat corset, which is ironed in the course of its construction and stay suddenly like a stomping and snorting steam train in the ear canal. and if then hardy hard mates early nineties rave influences with house vocals and flat-fuzz comes with a ghostly- kicking sampletrack around the corner which is just as hip hop as electro, it is clear, that these pieces are absolute killers of their guild, from the first to the last track, and each of them is conspicuous by its own distinctive aesthetic. originality is all

dust science is proud to present the second release from dadavistic orchestra, a collaboration between the black dog and 3 former members of fellow electronic pioneers the psychick warriors of gaia. dadavistic orchestras first release, >dokument .01<, showcased the two groups love for dadaism and all that it inspired. dokument .02 continues with this theme. where the first release was a double a-side of ambient electronic drone, dokument .02 is a six track album of beatless but very high impact electronics. each track weighs in at around 11 minutes of evolving, warm, and affecting analogue deepness. endlessly fascinating and continuously stimulating, these pieces are long, and yet highly economical.

shack music celebrates its 5 year anniversary with a series of previously deleted or unreleased material and existing catalogue from the vaults with re-edits and remixes for 2011.on this limited 12 inch sampler shack music highlights its success in unearthing rocco of rodamaal fame as a solo artist with his debut release >heartbeat< originally released in 2006 remastered for 2011. a true deep house gem that has found that perfect balance between deep house and the origins of tech house. the 2nd track of the ep features two of the most sought after producers of recent years in demarkus lewis and mr v of sole channel music. the dubstrumental mix of >untitled love affair< sees for the first time the light of day on wax that has seen support from djs as diverse as dinky (musica libre, cocoon), sascha dive to dennis ferrer. rounding off the package on the flip comes from label head soy mustafa with an exclusive appearance to the 5 year comp and this sampler entitled >dub state of mind<. this b-side track is a straight up hidden gem relentless in drums both dubby and groovy with an incessant synth line that automates in and out of the groove thats almost subtle but infectious at the same time…a proper deep summer tune!

new ep from deep techno french act pulse code modulation after several years of silence. two huge deep techno tracks between detroit/basic channel and berghain. highly mastered at dubplates & mastering in berlin, ltd 10 inch grey edition. a mysterious project already support from dj deep, echospace, los hermanos, fabrice lig, jack de marseille, sebastien bromberger, dj morpheus, paul nazca

the partnership between artists john selway and dave turov spans not only across the atlantic, but it has also resulted in a series of successful colla-borations on their label csm. the debut release on the interpull imprint showcases their signature no-nonsense, dance? oriented techno. expanding on their previous work, >choo got it ep< carries with it a modern take of classic in? uences from chicago, detroit, and berlin. this release is marked by just as much stylistic skill as it is by their technical skill: both selway and turov put the highest production values possible into their releases. the a-side of the ep, >choo got it<, grooves hard with an upbeat rhythm and a bouncing bass line that refuses to let up. combining funky house elements and a raw driving techno pace, this is the kind of track that either gets you on the dancefloor doesnt let you off once you hear it go on. the b-side, >way to my heart<, presents a darker take on the ep with plentiful bass and restless energy. it provides a cavernous sound thats happy to shake your techno cathedral of choice

from his roots in early italo disco , a sound that inspired him since his childhood, this mysterious producer comes out with a genuine gem of pure balearic and disco mood, among the use of real hardware and various instruments creating this classic extended disco version that sounds in an actual disco edit style, even if the song is brand new. leading the voice is the huge, a magical voice and multi instrumentalist from italy: the combo between the two is explosive, mellow and at the same time light and pure. then the remix by melchior sultana, famous for his collaboration with owen jay on jus eds label (underground quality), creates a magical and elegant slow tempo version, chilled and funk at the same time, with a totaly new mood and some real rhodes and guitar played and sequenced in an akai mpc sampler. last the house electro disco dont play minimal, play minigolf, that follows a hypnotic mood bass synth, accomplished with ethereal chords and a super funky trumpet, sampled directly from will powers masterpiece of the early 80s…. ta ta taaa

for the first album ever being released on ki we invited biodub, a producer/dj from the north of germany, who impressed us with his fusion of dub, techno, electronica and is a musician throughout. bringing in his experience as the drummer of instrumental band noetics and based on a minimalistic foundation, his tracks are playful in a microscopically way. in between deep bass lines and characteristic dub chords, various sounds coming from field recording sessions and sometimes also acoustic instruments, making this piece of music extremely warm and alive. biodub tries to transform visual impressions into his music. he finds most of these impressions in nature but sometimes also in machines or buildings in connection with their environment. the album is equally comfortable on the dance floor as in the living room. but you would rather enjoy his music on an open field in the nature than on your couch. the album will be released as a full 2 x12 inch lp, and cd in folded hardcover with photography, graphic and layout coming from ki s amélie kai and since it leaves so much space for interpretation, there will be a 12 inch-single with remixes of stereociti and koi.

the brilliantly monikered big strick - familial elder to omar s and responsible for the odd killer release on his younger cousins fxhe imprint - belatedly sates the appetite of record collectors keen to indulge in his recent album detroit heat with a six track selection of the choicest cuts spread across this twelve inch. seemingly drawing influence from a myriad of motor city influences, detroit heat impressively flits between murky deep house, tracky techno and hypnotic jack-tracks. like many of his contemporaries, strick is a sucker for cement mixer production - that distinctly detroitian sound where every beat, groove or bassline sounds like the master tapes have been marinated in grit. that trademark sound, alongside a solid selection of floor-friendly grooves, makes detroit heat an excellent addition to the motor city house canon. the rubbery spinal atmospherics of >under tone< and the tony coates vocally assisted jack of >maybe 1 day< are particular highlights!

the still sound remix 12 inch sees one of the stand out tracks from toro y mois critically acclaimed sophomore album get a reworking from the electronic mastermind that is toby tobias. on the flip side we hear work from a new name, voodoo bear aka khaled bourguig, a french graphic design student who started making music 6 years ago. initially inspired by hip hop, khaleds voodoo bear project blurs the line between electronic and organic music.

when saints go machine are a danish four-piece consisting of nikolaj manuel vonsild, jonas kenton, simon muschinsky and silas moldenhawer. after the release of their critically acclaimed fail forever mini-album in february of this year, they present to you the fail forever remix ep. the remixes on the ep are coming from the pan-american electronic masterminds of nicolas jaar, alejandro mosso and blakkat, who themselves have brought about an astonishingly beautiful collection of music over the past 12 months. the collaboration between when saints go machine and these three exceptional producers has culminated in the outstanding ep that lies before you.

altogether lost is a collaboration between the bristol based experimental techno duo emptyset and the detroit vocalist cornelius harris aka atlantis from underground resistance. inspired by an early 20th century poem of mystical heritage, the project marks the first ever joint production by these three major capitals of electronic music and is backed up by a very friendly and creative label partnership between emptysets label multiverse and clr from berlin/germany where both labels are going to release different versions of remixes of the original in a mutual promotion and release approach. clr started this series with the release of the stunning original and a slamming remix by chris liebing and now follows up with a ben klock remix and a very deep and atmospheric interpretation by ripperton.

the -makeovers- project is a compilation of some of claudes best re-twists, some of which are so far removed they can almost be considered original works. this special edition vinyl includes one of the most sought after remixes, -warpaint- originally by pocket 808 in australia, vonstroke turned this into a late night anthem in 2007. played by techno djs, dubstep djs, and everyone in between this track was never cut to vinyl until now. on the flip side claude remixed the nublu orchestra out of new york. he was never completely happy with the original version of the remix and hes gone back and re-made it into a very special piece of music including a new vocal sample from his wife aundy who also did the vocal effects in whos afraid of detroit? this collection was put together with the theme that a remix can be an inspiring starting point for an entirely new piece of music. these are two of the deeper and darker remixes but we think you agree they are also very special.

they may have grown up in different generations on different sides of the atlantic, but one thing detroit master delano smith and irish up and comer gavin herlihy share in common is a disregard for boundaries. deftly slipping between the definitions of house and techno, both have carved names for themselves by ignoring the laylines of either genre to imprint their own inimitable stamp on dance music. on krypton factor the pair link talents to deliver an ep that is typically irreverent of trends or genres.

spring 2006 was both cruel and exciting. radiating hot helsinki nights, too much light and vivid, restless dreams about music. while chucking down a glass of cheap brandy in a local bar the idea finally materialized: lets start a record label! a label that would bring people together. proud people. people thinking of music. people doing their own thing in their own way in their own basements. and most importantly, people who understood the meaning of space between notes. after 5 years, 16 records, 85 tracks and 44 artists from 13 countries it goes without saying that those restless dreams became reality. and so did the music.

>positivenoise< is collaboration between system 7 and british house music legend a guy called gerald who now lives in berlin, and is one of two tracks on the new system 7 >up< album that they worked on together. the original club mixs exuberant sounds and crisp beats exude an infectious feel-good quality and a bright tech confidence inspired by berlins leaner sounds - already gaining plaudits and plays for its modern club sound. the carl craig remix strips down the original, and twists and turns for the dancefloor with dubby deep techno in carls own legendary style. a.mochis remix is a darker interpretation, with a long dropdown featuring shimmering s7 trademark sounds and a breakbeat build-up.

ltd warehouse found.. last copies of legendary classic label

cisco cisco reappears on the spanish label apersonal music with more nudisco quality from the portuguese duo. 2 original tracks, higher the perfect weapon for the techydisco lovers and brothers in arms freshing up the release with an enchanting laid-down groove. a solid offer that reaffirms the promising relationship between this rising artist and apersonal, under which they debuted last year. apersonal always has excellent offers on the remix department. so its no surprise to see names as greg wilson on their catalog, a producer regarded as one of the most important figures on the uk dance scene. remixing higher he gives a different edge and tempo to the ep, with a faster version for the higher times.

mr beatnick has played an active part in the burgeoning uk beats scene which has produced talents like bullion and paul white. his best known track >i know all the bitches< featuring the vocal talents of ahu, became one of the anthems of this movement, thanks to numerous spins on the likes of bbc radio 1 and rinse fm. in his music you can hear the influence of whole generations of music from mantronix to the 90s bay area scene and beyond, and the new ep >synthetes< takes this approach up a gear, exploring a path between the crackling breaks and samples of old, and the dancefloor music of now. with early support from braiden (rinse fm), slackkk (numbers), bullion (young turks), mosca (nightslugs / fat city) and gilles peterson (bbc radio 1), the >synthetes ep< looks set to find a unique place in the record boxes of bass addicts and beat diggers alike this summer.

dubline records unveils their next release by the neurodub duo that runs the dubline camp - melamin & wicked sway. the theory behind this production outfit is balance. neurologically the human brain percieves information to be incomplete if it is not symmetrical. in a practice of endless work ethic the sound design interfaces perfected beats that have an even balance of elements. the process in which people follow music as a path is implied in the waking of the conscious mind while in it spirit. the thought process of their approach to neuro is always written for the peoples natural instinct to follow obvious paths of information that can be used to direct the appliance of listening as a being of light tunes in and drops out the appropriate information. thus by drawing attention to the information the focus remains to show the difference between the foreground and background. a focal point is intended to encourage the listener to always furthur the exploration of the information presented. using elements that are different to show that they are clearly different components of presented information and yet both also with similarity to those of the same reference. its simply easier for ones step towards enlightenment in the experience of being human to realize the thought process and recognize the ego, reminding at the expense of the thinking brain that its cheaper to die.

with the new release on maruca music we welcome a trio from moscow: b.a.d.
it stands for bvoice, anrilov and danilov (denkbar). all three of them are well-respected artists on their own and now they joined together with the label owner pier bucci to create and crossover between russian culture and latin-american soul.
the title on the a-side >musica moscow< is like a night in moscow: trippy, mysterious and lots of rhythm.
the second track on the other side is named >the poem<. it is a deep and thoughtful track complimented with a russian poem by arseniy tarkovskiy which was taken from a movie shot by his son and one of the greatest russian directors ever andrey tarkovskiy himself.
early support by: andrey tarkovsky, fiodor m.dostoyewski, g.i. gurdjieef, antonio velasco pina, lev tolstoy.

netto houz are back with an extended and newly mastered version of >bad man speaks<, first released on their album >room 7107<, published on ladomat 2000 in 1998. >the prince of dance< elbee bad explains the difference between house and house music to an oldschool four-four- rhythm running on 113 bpm. the flipside of the 12 inch contains the previously unreleased deep house summer track >knuggles<, which builds on beautiful chords with a live rhodes piano jamming to it. berlin based knuggels recordings, run by dj kriton together with netto houz, is planning further to release new and previously unreleased material by netto houz as well as edits and remixes of their tracks from the 90ties.

marcus gehring fits in with upon you like vodka shots at an after hour. his funky and trippy sound grooves until sunrise and thats the way we like it. it doesnt matter whether its the title track >on a trip< on a1 or >in between< on the flipside with its bouncy bass line.

jichael mackson is back and presents 3 masterpieces on stock5. nobody knows like him to flow between dub, techno and electronica and all this in just one track. well, here are three of them. pure live sessions, music created right in the moment, surely with little chips n cracks but thats what makes this music charming, so less digital and previsible.

there is no family like the audio family! goncalo m is a well known man in his country spain. he is ready to conquer the world now and a good platform to set the next step is the audio family!. another exclusive dj tool for fans of labels like basics, patterns, special series, adult and those alike.

this is a special release to us at days of being wild, firstly because it s the return of catalepsia and he s in a mighty form, secondly because we felt very privileged to have artists of the calibre of sean and don getting involved and lastly the quality of the remixes they delivered left us speechless! so dope menace is an energetic dance floor stomper, centred around a very heavy beat and is indeed quite a menacing affair. built around a hellish, relentless string riff, the track is a dramatic, cinematic, dark mid tempo house number that could induces as much fancy foot work as it would head banging. jerome bazzanella, the man behind catalepsia has been releasing techno / house records for the last 3 years on various labels and compilations (synewave, remute, métis recoordings...) he likes to keep the tempo roughly between 110/120 bpm, favouring a heavy, efficient sound, with subtle sound effects and movements, in the tradition of the records from chicago and detroit.

perfectly suited for huge dance floors and long summer after hours hon-ken sparks with spiralling, hypnotic, multi-layered synths moving between trance and space disco.
inspired by japanese wisdom and engineered with teutonic precision, hon-ken will release your mind and put every dance floor into frenzy.
on the flip lopazz and zarook add a more dub-infused note to their remix treatment. tokyo based producer liquid pegasus delivers a strong recording debut slowing things down to 100bpm resulting in a wonderfully deep disco cut.

for its sixth release, klasse recordings looks outside its immediate family and teams up with berlin based duo turmspringer for a stunningly cool ep. well known for turning out many underground parties in berlin and abroad, turmspringer (tim brueggemann and robert galic) take their knowledge of the dancefloor and translate it into an ep that is aimed squarely in between the eyes of the nightclub. supported by dj sneak, monika kruse, ruede hagelstein, ellen allien, osunlade

the enigmatic french trio dop unleash another sonic assault of deep and visceral house music on guy gerbers supplement facts imprint with three bold and organic cuts for your sex. a dark broody and characteristically cheeky affair, your sex opens up this dop creation with a stripped back beat and looped vocal. low-end bass build up the title track to a crescendo that engulfs the senses in deep acid frequencies. this is a nod to the techno elite but fusing a new depth and sensuality to the genre, in true dop style. skipping into subtle and kinetic territory, half naked flirts with reverberating whispered vocals and crisp percussive beats. a lethargic and almost yearning record, it massages the energies of the body with a playful and soothing approach. last up paul ritch tackles a remix of the title track, elevating those throbbing bass elements to new levels with a fluttering and-high energy weapon made to hypnotise the feet, body and mind. dopis the musical summation of a 20 year long friendship between members clement aichelbaum, damien vandesande and jonathan illel, their musical relationship beginning in 1994 as the result of a rock & roll cover band formed for the french national day of music, experimenting in hip-hop, jazz, and reggae followed by various musical incarnations. in 2005 they made the transition into electronic music and last year delivered a highly regarded debut artist album on circus company, noted in the guardian newspaper as steeped not in orthodox 4/4 house and techno, but in jazz, classical, hip-hop and world music

and here it is: the second vinyl ep of niko schwinds album >good morning midnight<. it features some of the unique tracks that niko has created together with some of berlins hottest production talents. on the a side are two tracks that feature the clicky tech-house boys that are channel x, where things kick off with >back from the bar<. it sounds as the title suggests: a little wobbly, a little drunk, a little crazy, but also pretty magic. quite clearly this is an homage to one of berlins not-to-be-forgotten clubs that is unfortunately history now. but things continue on here at least with >dont turn the lights on<, a more straightforward dancefloor track, with a trumpet as the main protagonist. this is one of those tracks that keeps leading up to a real arms-in-the-air-moment if it wasn’t so damn housy at the same time. on the flip the magical connection between niko and label daddy oliver koletzki can be heard on >master of ceremony<, a chopped-up house track with epic dimensions. when things get to the piano breakdown, they get very musical and colossal before dropping back into a great house track. the stark contrast between the piano melody and the groove on this really make it. last but not least then, the original album opener >good morning< that features the singing of fran. it works great as a great album opener, but also perfectly as a slower and more thoughtful addition to a great ep

>only our hearts to lose< is a nice, shining character between the club and the balcon. tollen ablum der beiden zum immer wiedr hören und neu entdecken für club und wohnzimmer ... tolles album

paulo olartes >mil anos< is a very southamerican lovesong, tearing appart all kind of barriers between generes, but still being so in love with electronic dance music and the functionality of it, that you cant just get away from it. the remix of >mil anos< is in charge of goldwill, you see it stays all in the family. a slow melancholic monster which grows and grows to catch you and never let you go. so no more words and enjoy this piece of acetate which has also a very special design for music lovers/ collectors. solo por ti.

great collabo between oscar barila, oscar sala & fran alberola on workbench. a funky groovin tech-house shaker including a lula circus remix! perfect for the summer...

from the very start, track one the first thirteen minutes of love opens the album with over ten minutes of ambient unlike anything you’ve heard in years, a long, elegiac composition somewhere between carl craig and the chill-out zone at a bygone rave. it’s a warning: take a deep breath before being swept away by eight tracks that span detroit and berlin, front 242 and carl craig, linking them via soaring trance, carefully-crafted minimal, the sound of the 90s, the sound of the new millennium. it’s hard to imagine the strike force and heart pangs it will inevitably inflict on any club in the know

nice price deal !!! the record is divided in 1 side hovatron tracks and 1 side remixes by some of the hot names around. side is is gypsy trader, super soaker and young blood soaked in his known style somewhere between hip hop, skweee and crunk: pure floor excitement! like his first release on lo-fi funk this one is a bumpy ride on the dancefloor.

an epic, disco laced house work-out that reminds of a mixture between neworldaquarium and moodymann, put in a blender and fiercely shaken around! tip! the carter bros hail from down under. this unknown duo debuts with >full disco jacket<, a track so infectious, it surely will be a party starter the world over. an epic, disco laced house work-out that reminds of a mixture between neworldaquarium and moodymann, put in a blender and fiercely shaken around. besides the main and dub mix, it features a swinging, dubbed out remix from nebraska. you know its quality

black gold also contains a rendition of sandy denny s who knows where the time goes, in a minimalist arrangement that ends in an uplifting orchestration true to both the writer of the song and the performer. throughout the entire performance ms simone keeps a regal, aloof and sometimes goofy composure, her monologues in between songs ushering the listener a little closer to her moving performance.

krones first vinyl release was a collaboration with strago called evolution on mutacube recordings in 2007, this track was played by bailey (metalheadz) in bbc 1xtra radio. recently rainforest has been released on med school music, sister label of hospital records, reaching the ministry of sound radio. for fkzltd krone delivers 2 tracks in his signature deep neuro drum n bass style. perfect for the blend between the hard technoid dnb and softer liquid like dnb. techy sounds while keeping funky, its neuro funk in its purest form! fkz:ltd the sisterlabel of fokuz is always searching for this kind of sound and krone succesfully delivers! watch out for forthcoming tunes from krone on dsci4 (uk), fokuz (nl), fkz:ltd and spun (usa).

this is techno 2011! donato dozzy comes back on prologue with his mate neel. the new brilliant collaboration between them shows how techno sounds today. the 4 drop tracks are deeply emotional designed and each of this drop have his own unique character from ambient to techno!

the 7th release on mikrodisko delivers the perfect concept for the dissolution of the antagonism between original and replica with kassem mosse’s “musical generics”. while m7&#8243,,, is still available as a single, it needs to be resynchronized according to the time of day from fast forward mode to time lapse disco. this record really fits into the smallest handbag, and: small clubs just need small records!

disco nihilist is a rather special project. firmly rooted in the us-american electronic music traditions, mike taylors records on love what you feel or construction paper roam the grey are between chicagos jack urgency, detroits funky machine soul and the raw magic of vintage drum machines. his style is natural, murky, filthy and raw to the core. the six track ep >running (far away)< for running back is an exercise in grinding beats, squelching acid lines, graceful pianos and heartfelt rhythms without any paralyzing retro romance. it is what it is. get a piece of the real bread

originally born in the south of england into a musically gifted family, mark reeve received the major order to be a dj and to play electronic dance music when he moved to the rhein-main area in 1998. mark is now known today as a non stop dj and producer , as an artist he has now had his most important releases on cult label defected with with düsseldorf-based tapesh, solo on traumschallplatten (sep 2011), for monique musique or neurotraxx - marks tracks are always a mixture between dancefloor moovers including groovy rhythms and big baselines. in his cocoon debut, reeve presents himself in all his stylistic bandwidth: >daybreak< combines a highly-functional tribal bass pumping station with such mighty dub chords that make the sun shine even in in the most remote corner of the club, while >morning on mars< gives priority to the hypnotic effect of percussion. mark reeve is definitely a name to remember in 2011!

debut release on clone royal oak by morning factory. two tracks that turn every party into a house party! two tracks that go somewhere between the old and the new school with phat bass lines, filtered stabs, blissful keys and joyful piano and a cheeky vocal on the b-side cut. all that combined with slightly slower pace, powerful production. two killer tracks that makes the most stubern raver move his ass!

nice price deal !!! nastynasty a.k.a. jasper reeder is a us bay area dubstep producer whose planet mu debut pits a slither of pitch-altered mournful vocal melody against a rough modulated bassline and 8 bit chimes, to catchy and memorable effect.
on the b side - heterotic - a.k.a. mike paradinas and lara rix-martin put together a remix that is altogether more upbeat, pitching up and looping the sample while building loose panned drums and a rushing arpeggio into an optimistic almost romantic crescendo with sweet chords and glassy tones that sit somewhere between juke and synth pop.

played by luciano, reboot, richie hawtin, karotte, dj w!ld, brothers vibe, guillaume, gorge, andree hommen.. now the german based guy steffen deux (8bit / air london) comes with his debute at brise records. four amazing tracks between dub, deephouse and techhouse. pure quality stuff

summer 2010. neuland. here, we were met schieres and his machines. lovely. this ep is dedicated to neuland and zucker. we love you – we miss you – we will miss you. dont think about what you have lost. warm nights, between burning couches and nothingness. empty ideas were born. we are lost and people are sure to forget.